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Soundtrack of The Predator to be Released on September 28th

The orchestral score for the recently released The Predator is set to release on September 28th. The score was composed by Henry Jackman, whose previous work includes Kong: Skull Island, Captain America: Civil War, Kingsman: The Secret Service, and plenty of others. This news comes by way of SyFy, where you can listen to the debut track “The Arrival.”

 Soundtrack of The Predator to be Released on September 28th

A three track EP has also just been released on Amazon, prior to the full soundtrack release in a couple weeks.

Keep checking in with Alien vs. Predator Galaxy for the latest on The Predator! You can follow us on FacebookTwitter and Instagram to get the latest on your social media walls. You can also join in with fellow Predator fans on our forums!



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Comments: 19
  1. Corporal Hicks
    I don't think it'd sound right if we didn't have the Predator theme in there somewhere but I can't say too much stood out for me in terms of original pieces. I remember liking that cheesey heroes theme when McKenna makes the leap into the ship and I'll probably pick up the score, just to listen to the rest of it without all the dialogue and etc.
  2. Fugitive Predator
    There were some similarities, yes. Plenty of the movie sounded like Predator (as did Predators), but the more “original” sections sounded very much out of place - as though they were influenced by Silvestri or Williams scores. Particularly the brassy motifs that generally aired during “triumphant” scenes, those sounded similar to Silvestris motifs in Back to the Future. Several parts also sounded similar to Williams when villains appear on screen (the original Star Wars trilogy.) Like I said, it could’ve been the fault of studio temp scoring, but to me it didn’t quite fit.

    if you have to borrow from the original do it like predator 2 that score is fantastic.
  3. Wysps
    There were some similarities, yes. Plenty of the movie sounded like Predator (as did Predators), but the more “original” sections sounded very much out of place - as though they were influenced by Silvestri or Williams scores. Particularly the brassy motifs that generally aired during “triumphant” scenes, those sounded similar to Silvestris motifs in Back to the Future. Several parts also sounded similar to Williams when villains appear on screen (the original Star Wars trilogy.) Like I said, it could’ve been the fault of studio temp scoring, but to me it didn’t quite fit.
  4. Fugitive Predator
    Plenty of nods to the first film, but whatever originality there was seemed very out of place. Like those brassy motifs that sounded like they were awkwardly ripped from a Back to the Future film. Or that opening sequence with the Star Wars instrumental vibe (not the main theme). Wouldn’t be surprised if there was a lot of temp scoring going on.

    The soundtrack is kinda on the same level as the predators
    they also borrowed a lot of the music from the classic.
  5. Wysps
    Plenty of nods to the first film, but whatever originality there was seemed very out of place. Like those brassy motifs that sounded like they were awkwardly ripped from a Back to the Future film. Or that opening sequence with the Star Wars instrumental vibe (not the main theme). Wouldn’t be surprised if there was a lot of temp scoring going on.
  6. RidgeTop
    Loved the Predators soundtrack from John Debney, but nothing much from this one stood out to me. I'll still give the whole thing a listen on its own and see if my opinion changes.
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