The grain turned out harsher than Cambo intended. He almost shot it on Super35mm but opted for an experimental 16mm instead. He said: "I almost shot the film in Super 35 but I got talked out of it by somebody that didn't understand that format very well ... In this exact year, I think Kodak was in transition they were changing their emulsions. This was a higher-speed negative than had been used previously. They hadn't worked out their T-grain emulsion, so it turned out to be grainier than I would've wanted."