Covenant crew received a transmission... and it appeared to be
Shaw singing some old song. I remembered what Wayne Haag said about Bocklin and that his art influenced the overall mood of the movie. It instantly reminded me of his famous painting
Odysseus and Calypso (1883). Calypso was, in Greek mythology, a nymph, the daughter of Atlas the Titan, who lived on the island of Ogygia. She attained fame in Homer's Odyssey, in detaining Odysseus for seven years as her '
immortal husband'. She enchants him with her
singing as she weaves with a golden shuttle on her loom. However, Odysseus realized that he wants to be re-united with his wife Penelope, and the gods finally release him. Calypso is shown, in front of a cave on the beach, holding her lyre rather than weaving. Odysseus is at the far left, staring into the distance (although he faces away, so the actual direction of his gaze is not seen). He would appear to be homesick for Penelope, wishing that he was released from Calypso's control. This is a stark image of a barren landscape and empty relationship.
We know that H.R. Giger himself reserved the place of ultimate rulers for female characters as seen in many of his works. What if all the losses which Shaw endured, the disappointment in everything she has done and her eventual loos of faith caused her to become a dark character full of resentment and anger. Just like in ancient myths...The daughter of the world is cast into the underworld. By hermetics she is called Kore Kosmou ("
Virgin of the World") and by the sumerian tradition
Ereshkigal. She becomes the mistress of the underworld, the
'sacred whore' aspect, in contradiction to Innana, the virgin aspect. Its now obvious that we ll have two "lead" female characters, the one is antagonist and the other is protagonist... David is just someone in the middle, an ex servant who is now under the control of deluded woman... Just presenting another alternate scenario... There is a great chance that I m just wrong...