Quote from: Russ840 on Apr 24, 2017, 05:53:14 AM
I get all that but why bother with the cloak and daggers rubbish. There was no need. He was funding the mission.
I don't think I've explained this well enough. I'll try again.
- Lying and hiding the truth is often essential to getting people to go along with horrible things in our world.
- And in the first two Alien movies, lying and hiding the truth is fundamental to the two main non monster antagonists.
Ash lies and hides his intentions.
Same with Burke.
Quote from: Russ840 on Apr 24, 2017, 05:53:14 AM
He can do whatever he likes. No need for the sabotage.
Actually, Weyland cannot do "whatever he likes". He has to do certain things.
1. Weyland had to be in stasis because otherwise he would be dead.
So, at least that explains why he is not around.
2. Weyland had to lie to get Shaw and Holloway to do what he wanted.
Weyland's plan was to go to LV-223 and;
A. Have David ignore scientific protocol.
What scientist is going to join such a mission which will almost completely ignore science? (Such as opening a door and taking an urn of black goo without permission.)
- But Weyland wanted the "true believers" as Vickers put it (who were Shaw and Holloway) to be part of the mission.
Weyland wanted qualified people who had studied the Engineer hypothesis to be on board.
- Result; pretend that Shaw and Holloway were in charge of a scientific mission.
B. Have David put the crew in danger to look for clues to a cure for death.
This also might include David experimenting on the crew which could kill crew members.
- Obviously, Shaw and Holloway would not have agreed to those terms.
Evidence for this is that Shaw is pretty upset when Holloway is killed (by one of David's experiments).
C. If Weyland was openly in charge from the beginning, then once David started screwing up, such as opening the door to the sculpture/shrine room without permission, then Shaw / Holloway could be pounding on Weyland's stasis pod yelling about David being out of control.
- Evidence for this possibility is in the movie.
Soon after Shaw sees that Weyland is alive, she says to David that he is under the control of Weyland's programming.
The mere presence of Weyland blows the ruse that he created.
* It was much better for Weyland to do it the way it was shown in the movie.
His lies to get Shaw and Holloway to be on board.
And Shaw thinks that Weyland is dead and so is puzzled why David is acting in strange ways.
- While Weyland is hiding, Shaw doesn't figure out what was wrong with this mission.
Result; Weyland's plan to hide and pretend he was dead was sound.
Quote from: Russ840 on Apr 24, 2017, 05:53:14 AM
For me its a bit of poor and cliché writing.
* Of course there is personal taste ("poor writing") but as for the mystery story cliches we are discussing they come from the same story which forms the basis of "Alien".
Which is "And Then There Were None" by Agatha Christie.
https://en.m.wikipedia.org/wiki/And_Then_There_Were_NoneIt is a very influential novel (also called "Ten Little Indians")..
Quote"Ten Little Indians" is how director Ridley Scott described the plot of 'Alien' to actor Harry Dean Stanton (Brett) before he agreed to take on his role in this late seventies science-fiction/horror movie.
https://horrornovelreviews.com/2014/01/14/ridley-scotts-alien-an-exercise-in-existential-terror/"Alien" shares cliches with "Prometheus" from the same source and the cliches in question in this discussion come from that same source.
PS. From a later post;
QuoteJust make out that you were not going to go on this mission that your company is funding. I suppose you can argue that his age and failing health meant he was not going to live long enough to see the fruits of the mission.
Announcing that one is dead is much cleaner. Publically pretending to stay behind on earth could be checked and quickly found out to be a ruse.
'Where is he staying' the press could ask? 'He is not where he is supposed to be' could quickly be found out for instance.
QuoteSo is that an element of the movie that you like then?
I don't have to like or dislike every moment in a film. If a story idea is logical and is a commonly accepted story trope, I'll go along with that.