Quote from: Highland on Jan 03, 2021, 09:44:55 AM
Quote from: Fiendishly Inventive on Jan 03, 2021, 09:24:44 AM
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Someone completely missed the point of James Howlett and Charles Xavier's state of being in that last film, if you believe the journey each of them respectively endured means nothing, saving humanity four times since 1963 only to nearly perish multiple times with friends lost along the way.
Transferring your sense of self into a genetically identical body, in order to travel through time erasing three out of four past victories except for in fractured memory to ultimately prevent a dystopia, saving the world again in 1973 and 1983 only to end up in a dystopia although a slightly better dystopia indeed near the same time all over again responsible for the off film end of your surrogate family.
Within the story yes, the deaths of the titular X-Men appears to mean nothing but that's exactly the point, whether that works for you's another matter entirely but it's fundamentally connected to the other stories preceding simply presenting them in a new light.
That's kinda my point though. Hicks and Newt go through one journey then die literally after the movie ends. Seeing Professor X die is painful, but we've shared lots of good memories with him. Hicks and Newt die because f**k it, egg on the sulaco.
They aren't similar journeys at all.
Alien 3 isnt some dramatic ending to a saga ( Again , great movie), it's shit, we ran out of ideas.
Quote from: Highland on Jan 03, 2021, 09:56:44 AM
Hicks and Newt needed to die to make Alien 3, yes.
Did Hicks and Newt need to die to make a third Alien film? Not after what happened in Aliens, but shit, what do you do.
Weirdly , I've never watched or thought of the Alien movies as a trilogy. They've always been singles. I dunno why I think like that I just do lol , it's possibly because of Alien 3
...yeah but no.
A3 doesn't really follow the same old same old ALIEN formula and plot devices that pretty much all the other Alien movies have been following to a certain degree (pick up, travel to and investigate signal; destroy ship/installation; send the Alien out the airlock into space etc.). A3, formula-wise, is arguably the most original Alien movie out of the sequels and the prequels (so far). It's probably the Alien movie that goes the most for drama and three-dimensional character delivery and development, although A:C invested a lot in that department as well, or at least intended to.
Sure, the Sulaco Egg is a glaring plot hole, and some of the creature effects are lacking, but it doesn't ruin the movie.
Again, Hicks & Newt's deaths served a meaningful purpose in A3 and the movie would not have worked with the two of them alive (I mean, the inmates would've tried to challenge and beat up Hicks any time they got the chance to, and the pedo inmates would've been plotting non-stop on how to get their hands on poor little Newt. With the two of them alive it would've been an Us (Ripley, Hicks, Newt, 85, Andrews & Clemens) vs. Them (Dillon & Co) kind of scenario).
Anywho, the sudden brutal deaths of Hicks & Newt sets the bleak, grim and unforgiving tone and mood of A3, bringing Ripley into the mental state of having nothing to lose; Fiorina Fury 161 is the purgatory and the inferno that Hicks & Newt were spared to suffer through.
Again, the most moving, poignant and hauntingly touching and brutally poetic & beautiful scene and sequence from any of the Alien movies is hands down the Funeral scene in A3. Andrew's psalm, Dillon's speach, the pain and suffering in Ripley's face, the wrapped up lifeless bodies of Hicks and Newt fallling into the moat while the dog/ox is painfully giving birth to the beast - all accompanied by Elliot Goldenthal's unbeatable score - is just something out of the ordinary. It's a masterful scene.
To me Hicks & Newts deaths in A3 brought back the cold, harsh and unforgiving reality and indifference of space and the universe. The Hollywood hero high in the last act of ALIENS was fun and all, but it had strayed too far away from the "realistic" tone set in ALIEN. A3 brought us back to "reality", so to speak.
So despite all of A3's inconsistencies and behind-the scenes production mess & studio drama, I'd say it's a flawed and deeply troubled "master piece" and the perfect end to a trilogy. I wouldn't have it any other way.
I mean, the very end of the movie when they finally shut down the prison while we get to hear Ripley's Nostromo audio recording play for the last time, alongside Goldethal's score, knowing that Ripley denied the Company their prize - even though Ripley and everyone she cared for and fought together with died (except for Jonsey and Morse) - is bittersweet and very fitting. It wraps it up perfectly if you ask me.