Quote from: Corporal Hicks on Apr 13, 2023, 07:41:09 AMThat sequence in the abattoir is the only thing that was shot with the super facehugger, unfortunately. ADI never built a mechnical version of the hugger either which is a shame. I'd have liked to have seen it in action, demonstrate it taking two hosts.
And that longer shot used in the AC - it was the one used in the older edit they were reassembling.
Yes, I think we're saying the same thing, except that there's almost certainly more of the same abbatoir scene out there as detailed in, e.g., the novelisation; where Frank and Murph speculate that the super facehugger (or facehugger in the novelisation, to confuse matters...) is a jellyfish from the beach, and then cast it aside.
The super facehugger in the Assembly Cut is a non-entity: the scene is cut after the long shot to make it look like a standard facehugger. There is no super facehugger in the narrative of the Assembly Cut.
Quote from: Corporal Hicks on Apr 13, 2023, 07:41:09 AMThat sequence in the abattoir is the only thing that was shot with the super facehugger, unfortunately. ADI never built a mechnical version of the hugger either which is a shame. I'd have liked to have seen it in action, demonstrate it taking two hosts.
And that longer shot used in the AC - it was the one used in the older edit they were reassembling.
While I'd (really really) love to see the entire scene (something of an - inexplicable, niche - obsession of mine), I'm actually not certain I'd like to have seen an animatronic of the super facehugger in the film at any point. When it comes to the Alien franchise, I prefer more the mystery and speculation (the original space jockey comes to mind...), and the loneliness and chance-like nature of the Alien universe, in my interpretation or preference at least. I also like the idea of Ripley not having encountered the disregarded super facehugger in the abattoir (in the screenplays, at least, although she does encounter the ox carcass and intuit accordingly - 'This is where it started').
For me, in the Assembly Cut, I'd like to have seen the full abattoir scene, and removal of the standard facehugger bits in the opening Sulaco scene to make it all look a bit more as if there's only a super facehugger. However, I'm not certain this would 'hammer home' what the super facehugger is exactly, and that it can impregnate at least two hosts (and, dangerous thing to say, where it came from...) for the casual viewer in this proposed 'Super Facehugger Assembly Cut'. For this reason, I can see why they did what they did (no super facehugger existing as a concept in the Assembly Cut). Perhaps that's the reason why the creature was dismissed originally during the production/filming of the film itself (although who knows precisely what's going on in the end result of that film with one standard facehugger or more, and that Bertrand Russell's Infernal Egg...*).
*I've just decided:
- Celestial Teapot = The person making bold claims for something such as the existence of a god (etc etc) has to provide evidence and explanation for the claims.
- Infernal Egg = In filmmaking, or at least the Alien series, the person (film-maker) making bold claims requires - counter-intuitively - others (the viewing audience) to provide evidence and explanation for the claims.
(Corporal H.: As a small aside, massive thanks for this website. Long-time lurker.)