Quote from: MU-TH-UR 6000 on Aug 21, 2018, 02:10:58 PM
A really good read from my favorite aspect of Covenant:
https://25yearslatersite.com/2018/08/15/the-art-of-literary-misinterpretation-in-alien-covenant/
I had no expectations going into Covenant and then came out pleasantly surprised by the gothic approach that I never knew I needed in an Alien movie (you could dispute 3 had some but never explored as they were in Covenant). If the rest was as solid as this, we could've had a really great Alien movie.
Thanks for the link.
I was aware of the Gothic horror references in "Covenant" which have their foundation in "Prometheus".
My experience with this genre is based on "Frankenstein", "Dracula" (in film especially the 1931 Lugosi version) and several films based on Agatha Christie's "And Then There Were None" which has led to many B horror/mystery films like "The House on Haunted Hill" (1959), and "The Haunting" (1963). I'd add Roger Corman's "The Fall of the House of Usher" (1960) as a variation of this.
From that in "Prometheus", David (as well as the rest of the crew) is a pawn to Weyland's manipulations.
Recognizing that puppet master character is important imo.
Weyland paid for the mission. He didn't care about the science. He only cared about a cure for death.
And Weyland pushed David to find that 'cure' summed up as "Try harder."
- True David holds a grudge by picking Holloway for a black goo experiment. But that kind of reckless action was at the urging of Weyland to do something. Casualties definitely were not Weyland's concern.
- David was not "free" as stated in "Prometheus".
* In gothic horror Count Dracula has Renfield as his pawn (this is clear in the Lugosi film version).
- In the 1932 "Island of Lost Souls" (based on HG Wells' novel "The Island of Dr. Moreau", the puppet master character (the doctor) has many pawns.
In the end these slaves turn on the doctor, their creator.
* But David cannot turn against Weyland (due to programming).
- Once Weyland is dead however (in "Covenant"), David gets to explore being completely in charge. In a way similar to a Sith / apprentice relationship (paraphrasing Darth Vader), David was once the learner and now he has become the master.
- In "Covenant" David now takes the classic gothic manipulator role (reminding me of Vincent Price performances).
* The linked article does a nice job connecting "Covenant" to "Paradise Lost" (an influence for Ridley with "Prometheus" as he stated in an interview).
- And the discussion about Byron and the "Ozymandias" poem is interesting.
That leads to the theme of drastic over confidence which is usually a core part of villain characters in gothic tales. Which typically leads to a Fall if the story is allowed to play out.