QuoteThe theory that the Space Jockeys and the Engineers are different species with some similarities, is nothing more than that. Theory. Most especially fan theory and perhaps fanfiction at best.
It's not without basis, though - there's ample evidence for the idea in 'Prometheus', and it's thematically appropriate given the film's content.
QuoteIt's not so much a problem but more like shock that you are suggesting that Big Red is canon. Also, the NECA backstory does imply that Dead End did infact happened, but because of legal red tape issues they are not allowed to directly mention Batman.
It implies it, but it doesn't confirm it - there's similar "canon" situations in the Star Wars EU, for example. Official sources have made reference to fan-films, but that doesn't make the fan-films canon wholesale. What the official sources specifically
mention becomes canon, and nothing else.
Using that reasoning, Big Red could be canon, and him potentially facing off against some kind of masked vigilante would be canon (note that that didn't actually happen in Dead End, anyway), but anything more specific than that (including the identity of the vigilante) wouldn't be "canon". Frankly I've got no problem with that.
QuoteAlso they seem to imply that Fox lets their liscencees get away with a lot of things when it comes to producing EU material. For example, the Hish mythos and as much as I really hate to bring this one up-- the four armed Predator. I also find it funny that Dark Horse claims that Fox raises flags when it comes to something not fitting the canon, or even so much something which comes from fanfiction because otherwise if that were the case, we wouldn't have had the Hish mythos or even the four armed Predator.
The thing is, that's for FOX to decide. If they want to allow four-armed Predators, that's their prerogative, no matter how dumb other people might think it is (and believe me, I'm not the hugest fan of the concept, but I'm willing to roll with it anyway). Per those quotes, apparently there ARE things that FOX has flagged and sent back for revision, even if we're not aware of what those things are.
I also recall reading somewhere that FOX has apparently retroactively nixed the Hish concept in some capacity - not so much "retconned" it out of existence, but just forbade it from being referenced again. I'll have to do some digging for a source on that, though.
QuoteAnd as for contradictory historical threads.. That's already happened with the films, and Fox doesn't seem to be going out their way to fix it. Now with this new continuity, well.. considering that it doesn't really connect or even retcon the old expanded material and isn't even going to use the AvP movies, well.. to me it kind of suggest that there is now another continuity and timeline despite Rodriguez and Scott not wanting PREDATORS and Prometheus to cross into AvP territory.
This attitude strikes me as a little premature. You're welcome to it, but I'd prefer to wait and see how things play out before throwing my hands up in the air and saying "there's no salvaging this!".
Quote from: SM on Oct 15, 2013, 11:14:43 PM
Prometheus did work fine. It didn't mess anything up with the original source material.
Ehhhhh not so sure I agree on that one. EU aside, I always liked the idea of the Jockey being an otherworldly extraterrestrial creature, and Prometheus undoes a lot of that.
QuoteThey've never cared about continuity, at least not to the point of enforcing it.
Yeah not sure I agree on that one, either - we've got specific quotes from licensees (and FOX themselves, in the Quadrilogy supplementals) saying that's not the case.
QuoteAnd Fox has never told comic or novel authors they must conform to other comics and novels - just the films.
We don't know this is true.
QuoteVideo games constantly revisit the Derelict on LV-426.
Yeah, and it's yet to be a continuity problem.
QuoteI still think Ridley should have had the courtesy to at least acknowledge previous installments in the series; he wouldn't like it if somebody just wrote an Alien sequel that completely wrote over Prometheus.
I'm actually not sure he'd care, but not for the reason you'd think.
As a filmmaker, he wants to tell the story he wants to tell, and he accomplished that. If some other movie comes out and reveals that Prometheus was all a dream, it doesn't change the fact that "Prometheus' exists as a film and people can watch it and be influenced by it and talk about it. It's the same basic idea for people who complain that [insert movie here] "ruined the series". The prior movies still exist and anyone can go watch them, independent of all other factors.
I'd say that Ridley Scott is old-school enough that he wouldn't necessarily care about "franchise continuity" no matter if he's on the giving or receiving end of the bulldozer - "franchise continuity" is an ancillary component to storytelling, and one could argue that on a long enough timeframe, it ends up being *detrimental* to effective storytelling.
It's why people didn't (and to a lesser degree, still don't) care about the myriad continuity errors in ancient religious texts, or why the ancient Greeks, Romans, or Egyptians didn't care that there were numerous contradictory depictions of their famous heroic icons. The story itself and the minute details of the events weren't what mattered, it was what you learned from the story that mattered.
A similar argument comes up regarding superhero comic book continuity - with characters like Batman or Captain America having been around for over half a century, "continuity" is an absolute nightmare especially with the characters never aging or anything like that. They're so choked by continuity that they become stagnant. There's a pervasive school of thought that Marvel and DC should disregard all continuity and essentially treat their characters like the modern mythic heroes they are, where stories can happen to them and each one is self-contained and unrelated to any others beyond basic defining character tropes, and "contradictions" don't matter (or might even be *expected*) because it's each writer's personal interpretation of the hero.