What are you listening to right now?

Started by Harry72, Dec 13, 2006, 10:32:39 AM

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What are you listening to right now? (Read 1,636,083 times)

Deathbearer

Doom (2016)

Pokemon Y

Deadmeat



Brings me places.

Whiskeybrewer

Quote from: PVTDukeMorrison on May 31, 2016, 12:02:25 AM
It took me so long to find this song
https://www.youtube.com/watch?v=_bpS-cOBK6Q

Now, THAT is a Tune :)






The version i listened to was the Limited 2-disc Leather Book Edition, with 27 tracks. A better mix than the Single disc version, but still missing 7 tracks that only appeared on the extremely Limited Vinyl edition, which had 34 tracks on there lol. I do prefer this best of over the recent Somwhere Back in Time and From Fear to Eternity Compilations as this is the only one that has the songs done by their respective singers, while the others always have Bruce's live version (even though they are really good), replacing the original studio versions (where applicable).

This is also the only place to find the great and unknown by most single Virus. It has a great vibe and a great vocal by Blaze Bayley. Its sad it has never appeared anywhere else and hasn't had Bruce sing it on tour at all. I would love to hear his take on it. Also there is a Blaze sung Live version of Fear of the Dark track Afraid to Shoot Strangers, which is actually vastly superior to Bruce's take on it. It suits Blaze's range so much better and he just owns it. Blaze does only get four songs on this compilation, but by this point he had only done one album and tour with the Iron's so that is to be expected. Interesting that they didnt add Blaze's other single at this point, Lord of the Flies or b-side and album track Edge of Darkness, but when they are replaced by the epic Sign of the Cross, you can't quibble really lol.

The majority of the two discs are of course taken up by Bruce era tracks (well considering how many albums he did with them at that point, they had to lol), taking select tracks and singles from across those albums. Interestingly some of the singles that were left off, actually did better than a couple of the singles that were put on. Stranger in a Strange Land (which was left off) reach 22 in the UK charts when it was released, which was higher than Run to the Hills (Although that did better when re-released as part of the First Ten Years series, so maybe that's why they included it) and its place is actually taken by Heaven Can Wait(Probably so Harris had a song he wrote from that album on here rather than two Smith tracks. The second disc opens with the epic Live After Death version of Rime of the Ancient Mariner, with its classic live one-liner opener included lol) and we get a live version of Running Free as well, which is most likely so that the original Hit Single (for Maiden at the time) doesnt get left out. Where Eagles Dare takes the place of Flight of Icarus here as well, but i did always prefer that song, so I wont argue lol.

Then at the end of disc two, we get five songs from the Di'Anno era, including only one Killers track in Wrathchild, which wasn't even released as a single, so they could have easily had either Twilight Zone or Purgatory here as well to boost it. We get one Iron Maiden album track in Lucozade favourite Phantom of the Opera and non-album single (at the time) Sanctuary. The two big surprises are actually to final two tracks, which are taken from The Soundhouse Tape EP, where we have Dave Murray recording all the guitars and early drummer Doug Sampson, having a storm on Strange World (which i actually think is better than the later album take) and the one song they couldn't really leave off Iron Maiden.

If you want a Maiden compilation, this two disc version is the one to get and then you can make your own third disc if you want to made of tracks from Virtual XI to The Book of Souls. That's what i'd do anyway lol

HuDaFuK

I recently got the one-disc version of that, but having read your review I'm now kinda gutted I didn't get the two-disc edition lol.

Whiskeybrewer

Whiskeybrewer

#18379
When it first came out, i thought they were just two differnt versions of the same thing. It wasnt till much later that i realised that the two-disc was Limited Edition.

They should have just done the two discs and have the book be the limited edition, instead of how they did do it. It is worth tracking down on ebay. Which was what i did. I got it for a good price when i got it. I think i paid £10 included p&p.

I'd go for it, then you can compare, if you do a review :)




The 1986 classic album by Prog giants Genesis. This is definitely their most Poppy album. Sure they had Pop moments on previous albums Duke (1980), Abacab (1981) and Genesis (1983), but many of those moments were mixed into heavily Progish tracks and on Abacab, post Punk and Art Rock stylings. This is where they solidified their move into Pop Prog, although when they came back for We Cant Dance (1991), they really mixed back in the Prog more.

All the songs were written by the three members during jamming and Improvisation sessions, which they had done for parts of Genesis, but this was the first time they wrote the album completely this way, which makes me wonder why critics said it was closer to Phil Collins solo work, since all members were writing lyrics and music based on those sessions. The songs grew and grew during these jams until they were finished. People always seem to forget that Mike Rutherford and Tony Banks were also doing solo and side project work at this time. Invisible Touch was originally apart of the Last Domino section of Domino, before Collins started singing the chorus hook around Rutherford's guitar riff. Land of Confusion was written by Rutherford for the most part and fast paced Pop Rocker Anything She Does was mainly written by Banks based on pics of girls in Glamour and Porn mags. This album was one of the best collaborative efforts of Genesis's career, they all worked together to create a great album, with three Prog Rock songs thrown in, in the latter half of Tonight, Tonight, Tonight, Instrumental The Brazilian and possibly one of the greatest songs they've ever written in the Epic Domino, which always sends a chill up my spine.

I would have loved to have heard the original fast paced version of Throwing It All Away, I'm sure I'll find a version of it out there

Whiskeybrewer



The last album to feature Guitarist and band leader Malcolm Young. Its still a testament to his playing and writing with his brother Angus, that this is probably their most Radio friendly sounding album since Razors Edge (1992). But also that can be down to the production of Brendan O'Brien (Pearl Jam/Bruce Springsteen). They do seem to be having more fun here with the songs and the performances, which may be due to the fact that they were finally getting these songs recorded. Since they had begun the first writing sessions for Black Ice back in 2003 lol. Changing Record Labels and Injuries to band members probably didnt help lol.

There are some fantastic songs to be found on this 15 track album (The most number of tracks ever on an AC/DC studio album and also the longest running at 55mins). Singles Rock and Roll Train, Big Jack, Anything Goes (which should have been a bigger hit) and Money Made, just seem to have so much joy and fun going into them, that you cant help but love them. These would have been big hits for them back in the late 80's/ early 90's. War Machine is probably one of the heaviest tracks I've heard from AC/DC in a while. This album just flows from start to finish, though with one misstep for me in Stormy May Day.

The only problem i have with the Production (although it could have been the Mastering later on), is that on some of the songs, a few times it becomes difficult to hear what Johnson is singing, he seems to be drowned out a couple of times. But otherwise a great album

Perfect-Organism

It is pretty solid, but boy did these guys master the art of sounding like acdc.  I find myself having a difficulty in telling some of the songs apart.  That acdc sound permeates everything.  Just once I'd like to hear them try something new.  Maybe not..

Deathbearer


FiorinaFury161

Quote from: Whiskeybrewer on May 31, 2016, 12:12:40 PM



http://i1155.photobucket.com/albums/p550/luciferian1/Touch_zpsvpffc9un.jpg

The 1986 classic album by Prog giants Genesis. This is definitely their most Poppy album...

I would have loved to have heard the original fast paced version of Throwing It All Away, I'm sure I'll find a version of it out there
This was my first ever Genesis album (sad place to start, I know :'( ) and it is still one of my favorite overall albums. Probably place it #2 in the post-Peter Gabriel era (behind Trick Of The Tail). While every song has it's own feel, you can kinda tell who wrote each when you listen to them. I agree completely with Domino btw. When I hear Tonight, Tonight, Tonight (aaaaa ohhhh :laugh:) on the radio, it's always the single version and it saddens me how much they cut out of it, but near 9 minutes on the album I guess they had to. I am pretty sure I have heard the fast paced version of Throwing It All Away, it's ok. Ever hear the B-sides to the album; "Feeding the Fire", "I'd Rather Be You", and "Do the Neurotic"? Do the Neurotic is almost funny to listen to, while the other two are not without their own charm. An interesting pair of facts: Invisible Touch (the song) was the band's only #1 hit in the US, while the other 4 singles (Tonight..., Land Of Confusion, Throwing It All Away and In Too Deep) each reached top 5 status in the US.

Since we are on Genesis talk:

KiramidHead


HuDaFuK

Such a good song. Most people never think of it among their greatest hits but I personally think it's one of the best things they ever recorded.

Whiskeybrewer

Whiskeybrewer

#18386
Quote from: FiorinaFury161 on Jun 03, 2016, 12:03:10 AM
Quote from: Whiskeybrewer on May 31, 2016, 12:12:40 PM



http://i1155.photobucket.com/albums/p550/luciferian1/Touch_zpsvpffc9un.jpg

The 1986 classic album by Prog giants Genesis. This is definitely their most Poppy album...

I would have loved to have heard the original fast paced version of Throwing It All Away, I'm sure I'll find a version of it out there
This was my first ever Genesis album (sad place to start, I know :'( ) and it is still one of my favorite overall albums. Probably place it #2 in the post-Peter Gabriel era (behind Trick Of The Tail). While every song has it's own feel, you can kinda tell who wrote each when you listen to them. I agree completely with Domino btw. When I hear Tonight, Tonight, Tonight (aaaaa ohhhh :laugh:) on the radio, it's always the single version and it saddens me how much they cut out of it, but near 9 minutes on the album I guess they had to. I am pretty sure I have heard the fast paced version of Throwing It All Away, it's ok. Ever hear the B-sides to the album; "Feeding the Fire", "I'd Rather Be You", and "Do the Neurotic"? Do the Neurotic is almost funny to listen to, while the other two are not without their own charm. An interesting pair of facts: Invisible Touch (the song) was the band's only #1 hit in the US, while the other 4 singles (Tonight..., Land Of Confusion, Throwing It All Away and In Too Deep) each reached top 5 status in the US.

Since we are on Genesis talk:
https://www.youtube.com/watch?v=iiu-hAIHMDQ

My first Genesis album was actually We Cant Dance on cassette lol. Tbf Invisible Touch and We Cant Dance are probably the safer albums to use if you want to introduce people to Genesis, then you can start going back and forth across the four era's from there I think.
(For those who are reading this thread and dont know what I'm on about, then i shall say lol. Era 1 - Peter Gabriel era, Era 2 - Four man Line-up (Banks, Collins, Hackett and Rutherford) Era -3 - The Trio, Era 4 - Calling All Stations)
Thats true, you can tell who wrote the lyrics definitely and when they pooled together ideas on lyrics. Where did you hear the Fast Paced version of Throwing It All Away? I've never actually heard those b-sides, i know they are out there but have never heard them. Maybe I should some day lol. I now what you mean about Tonight....., its the same kinda thing with Meat Loaf's I would Do Anything For Love, but the radios always have to pound through those songs quickly. It is mostly that huge Instrumental break in the section that caused the cut lol. Its interesting that when they did it live they always did the single version as a lead in to Invisible Touch, which works in that regard. Yeah, It was their highest rate of singles to get that far :)
I'd never heard this longer version of Mama, lol The album version is Six Minutes long in the first place, so we get an extra minute of awesomeness :)

Quote from: KiramidHead on Jun 03, 2016, 12:34:59 AM
https://www.youtube.com/watch?v=jpurSeERX9s

Thats just awesome, They really should officially release the Highlander Soundtrack with the songs as they were in the film, it would be perfect

Quote from: HuDaFuK on Jun 03, 2016, 08:51:17 AM
Such a good song. Most people never think of it among their greatest hits but I personally think it's one of the best things they ever recorded.

That just shows the high sustainable quality that Queen always held in their songwriting. For the Most part they could do no wrong. ;)






The second album by Scottish songstress Amy Macdonald (Look at that face isn't she gorgeous......MMMMMMmmmmmmmm *cough* excuse me, better get back on track here). On this album, she actually went back into her old songbook and notes, rather than writing completely new songs, like she had done for her first album This is the Life (2007). Interestingly, I found many of the songs here, superior, maybe its those flash of Innocence in some of the songs, but by looking back, she actually moved light years further ahead of other singers at this time. MacDonald, is a fantastic singer, who's accent actually adds and sustains the quality of many of the songs, even if she didnt have her accent when she sings, these songs would still be great :)

First Single Dont tell Me That Its Over, is a furious paced Pop Rocker and opens the album perfectly, followed by second single and second track Sparks,which was the first track i actually heard from the album and its just beautiful. It would be interesting to hear another singers interpretation of it. An Ordinary Life is actually a fantastic critique of Z-List celebs, who are chancing their way up the ladder, while Amy doesn't give a damn. Next Big Thing is almost the flip side of it, which to me talks about the Simon Cowell's of the world, who put many of those aspiring hopeful's and wannabes through the grinder and spits them out when they have something new come along. Album closer What Happiness Means to Me, was written about her then fiancee, footballer Steve Lovell (She's single now guys, so form a queue behind me) and is the perfect way to close this album. The coda at the end, could easily have had singing over it, but works perfectly as a musical outro. If you listen through the few minutes of silence after this, you do get a secret Acoustic take on Bruce Springsteen's Dancing in the Dark, which actually follows the mood of the lyrics closer than the original version does (Although I've never heard Springsteen's demo of it, so that could be similar to Amy's take)


Found this for you Fury


FiorinaFury161

@WhiskeyBrewer: I think I heard the fast paced version via the old Genesis fan site that had practically every version of every song, the site sadly got shut down almost 6 years ago :'( . That version of Tonight... is such a weird mix, but it does work. Funny that the uploader used the Paperlate pic disk cover :laugh: Maybe a tad off topic, but I would love to eventually get a SACD system and get a few albums on SACD to truly experience them: The Lamb Lies Down On Broadway, Foxtrot, Duke, Invisible Touch, Songs From The Big Chair, The Seeds Of Love and A Night At The Opera to name a few.

Since it's Tears For Fears Friday, I shall yet again present my all time favorite track:


Perfect-Organism



Neurotic Outsiders was one of my favorite albums back in the day.  It was Duff McKagan, and Matt Sorum from Guns N' Roses, Steve Jones from the Sex Pistols, and John Taylor from Duran Duran.  The result was delightfully toxic.  The songs have a punk vibe and are very well arranged.  They deal with some unsavory topics, but with a wry humour.  Well worth a listen...

Deathbearer


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