Quote from: Kev Loaf on May 30, 2012, 07:32:54 AM
What's wrong with finding out who the SJ in Alien was, why he landed on LV, what came out of him, why and how he was infected, what laid the eggs on the derelict, who sent the distress signal, etc etc
I know many of you were against it and wanted a different story and I have never understood why.
There's nothing wrong with revealing any of that, necessarily. But it could all be done through flashbacks and the like, leading into a completely new story.
The problem with doing a prequel is that, by doing so, you paint yourself into a corner. You
know there isn't going to be any meaningful threat to Earth and you
know that any cosmic mysteries are going to stay with the characters on screen. In fact, you also know that they're all either going to die or remain otherwise unknown to humanity, as a whole.
Hence, certain things hyped in the adverts don't have any resonance, because there are no emotional stakes. By setting it earlier within a given continuity, the audience already knows what are foregone conclusions.
It's one of the major problems with '
Requiem: Everyone knew the Predator wasn't ever going to be in danger of major injuries, let alone death, because it was given out early on that only one of them would be running around. It made every single confrontation with the Aliens feel very by-the-numbers.
Same thing with this. They're making out in the adverts that Earth is going to be in peril, but... We know it won't. It's clearly trying to evoke this famous advert, which made many of us so hopeful and excited, back in the 1990s:
http://www.youtube.com/watch?v=Bk_x9W1xKng#wsBut we know that all the action needs to be confined to the planet/planetoid dealt with in the film.
Only do a prequel when it's necessary. Otherwise, just do a sequel. It liberates you from preconceptions.