The Alien vs. Predator 2 editorial team modified their existing workflow to integrate with the pipeline at visual effects studio Hydraulx, setting up an Apple Final Cut Pro editing pipeline for the film that relies heavily on AJA's KONA 3 card. Shot on 35mm 3-perf film, the setup allows Hydraulx to cut the film at a 1080i resolution, lay down previews to a D5 deck and go out to an HD deck for studio reviews before finishing the film with a 4K Digital Intermediate scan and film output. The pipeline employs five KONA 3 cards: a projection system, an editor system, a visual effects editor system, a utility system and an assistant system.
This is from the news a while back, hope it helps.