Quote from: Johnny Handsome on Jan 25, 2010, 07:50:43 PM
but he's just specialised to on single style, and that's the alien style.
How much Giger stuff are you familiar with, though?
I have most of his books, and his work isn't just specialised to biomechanoids. That's just his most popular stuff.
QuoteEverything he did screams 'Alien', just look at Species, he's rehashing himself over and over again.
'Alien' screams 'Giger', not the other way around.
QuoteWinston created characters that were different in character and style, he did a shitload of memorable characters, giving us the Terminator, Predator, Pumpkinhead, Jurassic Park...
The Terminator was designed mostly by James Cameron, Pumpkinhead was designed by his team, and Jurassic Park, well ... they were dinosaurs. Not exactly something they had to design from scratch. Same goes with the work he did on
Aliens - Giger designed everything but the Queen, which was also largely designed by Cameron himself.
I think people give Winston himself too much credit. Don't get me wrong, dude was a genius and incredibly talented, etc. etc. - I'm not talking down on him or his legacy - but everything he gets credited for was a
collaborative effort by his
entire team. If you look through
The Winston Effect you'll see most of the work pictured is credited to everyone
but him.
And
he acknowledged that.
But the
same can be said exactly for Giger, at least when
Alien is concerned. Sure, he designed, sculpted, and painted the adult Alien and egg and the Space Jockey, and designed the face-hugger, but the final form of the burster wasn't his doing and Carlo Rambaldi did the mechanical effects (Although Giger did design mechanisms for the face-hugger, using his engineering knowledge, but they ultimately weren't used).
This all being said, I'll take the creature effects of
Aliens over
Alien ... but the design of
Alien any day.