First Alien: 40th Anniversary Short Released Online - Alien: Containment!

Started by Corporal Hicks, Mar 29, 2019, 04:35:38 PM

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First Alien: 40th Anniversary Short Released Online - Alien: Containment! (Read 28,609 times)

XenoHunter99

Quote from: HuDaFuK on Apr 02, 2019, 09:43:52 AM
Quote from: Naginata on Apr 02, 2019, 02:47:07 AMI took it as the guy waking up, realizing what's in there with him, and trying to huff as much oxygen as he could before 'it' got to him.

I figured his plan was to pretend to still be asleep and pray lol.

I thought that, too. At least that's how it looked.  ;D

AFlockofSpines

Ok, not great, bit disappointing. Acting was very good overall, but it felt rushed and not a very good world building for in media res.

U-96

First post for me. Long time lurker.

For what it was, I liked it. Mostly, I liked it because the chestburster scene had more suspense than the one in Covenant - which says a lot about Covenant.

U-96

It is nice to join the community!

P-Rock

Quote from: U-96 on Apr 03, 2019, 02:13:56 AM
First post for me. Long time lurker.

For what it was, I liked it. Mostly, I liked it because the chestburster scene had more suspense than the one in Covenant - which says a lot about Covenant.

What does it say exactly?

LastSonofKrypton

I like the fact that it is given little to no explanation, it is just a situation and then we see the ship being rescued.  I like the feeling of doom as she writes in blood on the glass. 


U-96

One of my biggest problems with Covenant was the rushed chestburster scene. In this short film, it made me feel a bit more suspense and emotion. And they only had 9 minutes.

TC

Cinematography 4/5
I like that they went the extra mile for that Alien '79 look. Smoking up the set worked well (except the opening wide shot of the interior - someone forgot to give the smoke machine a quick squirt). I also like the true anamorphic instead of a simple crop to get the widescreen aspect ratio. The oval bokeh added that extra touch, although the picture is missing the blue horizontal lens flares that are characteristic of anamorphic. There are lots of plug-ins readily available to add flares in post, a shame they didn't have one.

Acting 5/5
Excellent performances all round., especially the actress playing Albrecht. She had the best opportunities to play some different sides to her character (nervousness and shame, defensiveness, a touch of pride, fascination with the creature), and she made some good choices there.

Production Design 4/5
Wardrobe; excellent. Set design was generally good, but I thought the bulkhead cross sections weren't industrial-looking enough. Also, too many blank spaces on the walls; set dressing needed to really pack them with industrial clutter to create lots of deeply shadowed crevices for that creepy, what's-hiding-in-the-dark effect.

Direction 2/5
The bit where Ward climbs on to the seats and steps across the patient to avoid the chestburster running around the floor was silly. She's already spent so long sitting on the floor, it would have made more sense to take 3 quick steps to the airlock door. My guess is that the script explicitly describes her climbing across the seats, but tunnel-vision on the part of the director meant he was unable to see for himself, once on set, that it wouldn't play very well. The same with the contrived action of having Albrecht fall against the door control, accidentally opening it and falling outside. A lacklustre idea, clumsily portrayed, and confusingly shot. I had to watch it again to figure out what happened.

Screenplay 2/5
It's hard to take the audience on much of a journey in 9 minutes, so you're never going to get that epic feel you experience from the movies. 9 minutes is, in essence, a one act play. That being said, the exposition of the opening distruction scene is brilliant, very efficiently establishing the premise and setting in the minimum amount of time, and without elaborate and detailed visual effects.

I suspect that the logline that would have sold the story probably emphasised the mystery of: Who amongst the survivors is a carrier? (Albrecht voices this question outright). But no sooner is this raised than it is immediately answered, dispelling the promise of any tension.

Overall 3/5
Most fan films that you see on the internet are basically recreations of the filmmaker's favourite scene from the movies. This short suffers from a bit of that.

Entertaining but uninspired.

TC

jhudson

The weird thing about Containment is that is that it's the opposite of what a low-budget short film should be. It looks really high-end but it doesn't have an interesting story or any new ideas, whereas by rights it should look awful but be brimming with originality and fresh perspectives.   

The Old One

The Old One

#144
The opening is the best part, visually.

HuDaFuK

Yeah, that shot of the ship silently breaking up was fantastic.

Nightmare Asylum

Yup yup. Those opening couple shots were definitely the big highlights in this one.

Huggs

Quote from: jhudson on Apr 05, 2019, 03:56:50 PM
The weird thing about Containment is that is that it's the opposite of what a low-budget short film should be. It looks really high-end but it doesn't have an interesting story or any new ideas, whereas by rights it should look awful but be brimming with originality and fresh perspectives.

Yes.

Like a great pair of shoes that you just wear to the dinner table and that's it.

It had everything it needed to run, yet it went nowhere.

The Old One

The Old One

#148
Burn. lol

Corporal Hicks


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