For Alien Day 2016, 20th Century Fox, Audible and Dirk Maggs treated us to an audio drama adaptation of Tim Lebbon’s Alien: Out of the Shadows. We absolutely loved it. With Alien Day 2017 fast approaching, it looks like Maggs and Audible are back with another adaptation of one of Titan Book’s other Alien novels, River of Pain!
“Ellen Ripley finally returns to Earth, only to discover that LV-426 – resting place of the Nostromo and the xenomorph she first encountered – has been renamed Acheron.
Protected by Colonial Marines, the colonists seek to terraform the storm-swept planet against all the odds. But in the face of brutal living conditions and the daily struggles of a new world, there is humanity and hope. Anne and Russell Jorden – two colonists who are seeking a fortune that eluded them on Earth – are expecting their first born child.
The birth of Rebecca Jorden, known to her family as ‘Newt’, is a cause for celebration. But as the colony grows and expands, so too do the political struggles between a small detachment of Colonial Marines and the Weyland-Yutani scientists posted on Acheron. Willing to overlook their orders in order to serve the Company’s interests, these scientists have another far more sinister agenda – to covertly capture a living Alien.
The wildcatters discover a vast, decaying spaceship. The horseshoe-shaped vessel is of particular interest to Weyland-Yutani, and may be the answer to their dreams. But what Anne and Russell find on board proves to be the stuff, not of dreams, but of nightmares.
Starring Anna Friel and Philip Glenister, this terrifying, cinematic, multi-cast dramatization – adapted from the original novel and directed by the multi-award winning Dirk Maggs, best-known for his adaptations of Douglas Adams’ Hitchhiker’s Guide To The Galaxy and Neil Gaiman’s Neverwhere for the BBC – is the sequel to Audible Original’s Alien: Out Of The Shadows (nominated for Best Audio Drama at the 2017 Audies).”
As with Out of the Shadows, River of Pain returns with Alien alumni in the way of William Hope (Aliens’ Lt. Gorman, Alien: Isolation’s Waits, Alien vs. Predator (2010)’s Groves and if we’re really going all the way, Aliens vs. Predator 2’s Predator vocals) and Colin Salmon (Alien vs. Predator’s Maxwell Stafford). Hope will likely be reprising his role as Gorman.
Also lending their talents to the Alien: River of Pain audio drama are Alexander Siddig and Anna Friel, both of which are no strangers to science fiction. Siddig is well known for portraying Julian Bashir on Star Trek: Deep Space Nine and Friel appeared as one of the leads in the short lived Pushing Daisies.
Digital Spy has some quotes from Siddig about his time on River of Pain and confirms that he will be playing Doctor Reese. IndieWire also has a short preview clip.
You can head on over to the Audible website and pre-order the Alien: River of Pain audio drama. You can also read our review of the original novel here.
Thanks to ScifiBulletin for the news. Keep a close eye on Alien vs. Predator Galaxy for the latest Alien and Predator merchandise news! You can follow us on Facebook, Twitter and Instagram to get the latest on your social media walls. You can also join in with fellow Alien and Predator fans on our forums!
Quote from: Darkness on Mar 30, 2017, 08:35:38 AM
Is this a direct sequel to the last book?
QuoteDoes it feature the same actress who played Ripley in the last one?
Quote from: windebieste on Mar 30, 2017, 08:40:36 AMWhat facebook thing?
Wow... that piece of art is astonishing and exactly the quality we should be getting from Fox on all their content. It puts that other recently announced piece of blatantly awful and shonky FaceBook thing to shame.
-Windebieste.
Quote from: Xenomrph on Mar 30, 2017, 08:52:21 AM
What facebook thing?
QuoteAnna Friel as Anne Jorden
Anne Jorden, married to Russ Jorden, is a laid back but tough woman. Russ and Anne are wildcat prospectors who have taken their family out to terraform a brand new world. They're hardy colonists, seeking a fortune. Anne's relationship with her husband is strong, but his jealousy of Captain Demain Brackett endangers it. Anne fights to the very last to save her kids.
Alexander Siddigg as Doctor Reese
Doctor Reese is detached, cultured and ruthless. He is completely single minded about his job - to collect an alien specimen.
William Hope as Lieutenant Gorman
Despite being out of boot camp for a mere 5 months, Gorman has been promoted to lieutenant thanks to his political ties at the company. Gorman has only done simulations and seen no actual combat action. This is generally known throughout the platoon, as such, Gorman is not well respected by his fellow marines.
Colin Salmon as Captain Demain Brackett
Captain Brackett is a professional Space Marine, serious about his job but sensitive and with a sense of humour. Brackett once had a relationship with Anne Jorden and having been posted to the colony where she is raising her family, is very careful not to let their history derail her marriage. Brackett falls foul of a group of marines in his new command under Sgt. Draper who think he's weak. He isn't, but has to prove it to them.
Philip Glenister as Sergeant Draper
Draper is no-nonsense, a ruthless tyrant. He walks over others to get what he wants, and he respects no one.
Marc Warren as Russ Jorden
Russ Jorden is a wildcat prospector who has taken his family out to terraform a brand new world. Russ's daughter, Newt, is an iconic and pivotal character in the Alien universe. In the film Aliens, we don't see much of Russ and Anne Jorden, except that we know they were sent out by the company man on a mission that ended up wiping out them – and the entire colony. The film mainly picks up when the marines enter the colony on a rescue mission (or bug hunt) and they find Newt, hiding. That's exactly where our drama ends. This drama tells the story of what happens in the colony, and of Russ - it gives us insight into the sort of man who'd take his family out to such a wasteland, and the lengths he'll go to, to seek his fortune.
Michelle Ryan as Lieutenant Julisa Paris
Julisa is Brackett's second-in-command, and she can certainly hold her own with the Squad on Acheron. They respect her and she definitely gives as good as she gets. When the colony is overrun by Aliens, Paris proves that she is more than able as a commander in her own right, having to think quickly to outsmart the ultimate opponent.
Quote from: Richman678 on Mar 30, 2017, 11:29:08 AMIt's the story of the fall of Hadley's Hope.
This is basically Aliens right?
Quote from: Engineer on Mar 30, 2017, 07:34:59 PM
Oh shit yea! I've been hoping for another audio drama! Loved the last one! And I'm stoked they skipped over sea of sorrows and went straight for river of pain!
QuoteCan you tell us about the Alien audio drama and who you're playing in it?
It was written by Christopher Golden, who's written several terrific Alien novels, and directed by Dirk Maggs, and it uses some of the familiar tropes - big deserted ship found on a frontier mining colony, people snoop around and find things they shouldn't find, and life gets pretty hectic. I play a character called Dr. Reese, who's one of a group of scientists sent to the far reaches of space to hopefully capture an alien alive - despite whatever human cost that incurs. So I'm not a particularly nice piece of work.
The scientists in Alien stories tend not to be!
No, no they don't. I'm pretty ruthless even by those standards!
Do you enjoy that sort of role?
It's great fun to do in audio. I love doing most of the roles I get, but this one was terrific fun. I could really make up what this guy looks like, it doesn't really matter that I look like me, walking in off the tube really messy. It's all about the voice. I really enjoy audio work because it's a halfway house between a novel and a movie, and the audience's imagination can run riot.
So what's your relationship with the Alien franchise? I mean, I assume you're a fan of the original...
Oh, big fan! I'm 51, so I remember seeing it in the cinema and it was one of the best movies I'd ever seen at the time. I'm not a devotee, it's not like I can't wait for the next iteration. But I'll watch a new one when it's on telly. I think the original's one of the most imaginative and scary films around.
Am I right in thinking Alien: River Of Pain is a horror piece too?
It's a suspense-horror I suppose, yeah. The amount of gore is quite minimal, like the first Alien movie where you only saw bits of the thing from time to time and had no idea what it looked like. I think an audio piece can do that really well too. I think unlike the later versions of the franchise we can do that a lot better in audio, partly because our hunger for carnage is so heightened that you have to start with it and keep going!
How did you come to be involved with it?
I got offered it! Just out of the blue. That's how I get about half of what I do, I'm a very lazy actor. I don't look at what might be happening and go "ooh, I want to be involved with that!" and then track down producers and directors. I just hang about and wait to see what happens. Sometimes someone comes along and asks me to do stuff!
Have you worked with Dirk Maggs before?
I haven't! He's really lovely. He's really lovely, it didn't really feel like working at lot of the time. On my first day we say round a big boardroom table and were just chatting away, and started reading scenes from the show. It wasn't until about halfway through the day where I had to check whether we were rehearsing and he went "no no, this is all recorded!"
So he's got a very unusual way of doing this sort of thing, he does like to mix it up.
There are few better people to work with inside the medium.
He's really brilliant yeah, I've been very lucky with my directors in audio. I also worked with John Dryden who was great, and recently discovered they're really good mates. I can see why! They've both got a weird, mixed-up style of doing things, working in the street and in attics and stuff.
Do you have to dial your performance up, knowing that you haven't got expressions and body language to work with?
You've got to be expressIVE - you don't want to waste the valuable syllables. But the mic is so close to you, and it's so quiet, that you can speak very quietly indeed. There's a lot more subtlety and range, that I can get at least, by being quite subdued and relaxed.
You've been part of some big franchises, as well as Star Trek and Game Of Thrones, now Alien...
Yeah, four or five! And Gotham's just starting, that's really good fun! Pretty certain I was in Star Trek for a while, I did 24...
Do you find people know you from those and does it affect the work you're offered?
I think so, I think I'm fairly lucky that I get to try different hats on. On one level I'm an independent actor who does indie flicks, and relatively political television - usually as an arab with some sort of desperate crisis happening - and the other side of my life is working in these really juicy genre pieces which I hugely enjoy. It's where I came from.
Some actors find that if they have ethnic heritage that pigeonholes them, so I'm interested in whether you feel like being half-Sudanese has given you that sort of experience.
That's probably for other people to judge, certainly from my point of view I don't feel constrained. Obviously I was born in Africa, my mum was English and my dad was Sudanese. Very few roles are written for half-English, half-Sudanese people, so I have to do the best I can and be versatile. My agent once accused me of spreading myself way too thin and suggested I be strong in one area, and I thought I was quite enjoying being only vaguely recognisable to a broad range of people. So I'm quite happy with how things are going. Obviously I always want to earn more money, but my career's been my choice and if anything, my heritage means I get to play roles that are politically quite important like in Syriana, and Kingdom Of Heaven. I treasure those roles.
As an actor, is it more enjoyable to stick with one character or do you like nailing one performance?
I find nailing a single performance in a film - I'll get hung for saying this! - is marginally easier. Because you've got the complete creation there, you've got a $60 million production trying to make sure it's a success. You just have to do your job. When you're doing a series, audiences tune in for characters, so you have to work hard at keeping a character afloat. It's more challenging because it can easily go flat.
I gather when you did Deep Space Nine you had a little pushback over that character?
Yeah, we'd just come out of the 80s so everything was about Thatcher and Reagan, big muscles and loadsamoney, everyone was beautiful and acted with such poise... and Bashir just wasn't, he was just a bloke. The studio tried to get me fired every year for the first three years, and Rick Berman saved my life every year, saying "nope, he's great, he's got to stay!" and the studio would be saying "but he's nothing like Jason Priestley!" and Rick would say "Well he's not supposed to be!"
Deep Space Nine was a television rebellion in a way. It was so anti-glitz and glamour, it was nothing like Dynasty and Dallas with its model actors. Audiences now seem to appreciate that, but I think they like the grittiness.
It's become quite well-regarded now, even though at the time even Star Trek fans were saying it wasn't very Star Trek-y...
Yeah, I think so. Bashir in a funny way embodies the Marmite loathing and loving of the show. He was a nerd.., there was one review that mentioned me and it was just "Bashir throws like a girl." That was it! I was like "Okay, thanks!" - but it's come full circle. The 2000s saw the age of the nerd dawn and everyone has to be a nerd or a geek! So Bashir was the proto-geeks.
The show itself has very longform ongoing arcs and storylines which at the time was quite rare, and has now become the thing everyone does.
Yeah, it's everywhere. There were a couple of shows that set the standard in that regard, and I think because Deep Space Nine was Star Trek it wasn't noticed as a trend-setter, or innovative. Shows like Buffy, which is of course astonishing in its own right, get the credit. DS9 defied the commercial ambitions of the studio because they couldn't put it out in any order. That was nerve-racking for them, so they quickly put out Voyager to give them something more like what they wanted. It's only in the last 5-10 years that people have gone "actually, maybe people quite like watching things in order."
Audiences can get their shows ways too now - now it's literally all there on Netflix for you to watch. Do you find that, this far into your career, the rise of Netflix has changed things for you as an actor?
Oh, absolutely. TV is huge now, it's a revolutionary change. It's become this crucible of experimentation for story and character, whereas the money from movies - from a financing point of view - has switched to TV. Everything's having trouble getting made unless it's a big franchise or you're Will Smith.
But that's partly because - I mean I'm no expert - I think it's partly because people like watching TV late at night at home, and they can watch what feels like a three hour movie in one night. People have been challenged, and they've responded by taking the enormous complexity of shows like Game Of Thrones in their stride. They actually want rich, complicated characters, and that means it's a great time to be an actor.
Alexander Siddig, thank you very much.
Quote from: Richman678 on Mar 31, 2017, 04:30:43 PM
I hope they let us know what happened to Hooper from Out of The Shadows....Even if the book left it a mystery.
Quote from: TheBATMAN on Apr 30, 2017, 07:29:15 PM
What was Gorman's role in this?
Quote from: EJA on May 17, 2017, 12:46:55 PM
Does the audio version remove the part in the book where the Jordens find Engineer and Alien corpses on the derelict?
Quote from: HuDaFuK on Jul 17, 2017, 09:46:06 AM
Please, there is far worse stuff in the franchise than that book.
There was nothing particularly terrible about it. It's worst crime was that it was just bland.