After a long weekend of hard work I finally made the second draft's opening sequence. So forget about the first draft and enjoy this one.
Also I am thinking for Wolf Chronicles to be an adult animated series insted of a comic.
PREDATOR:
WOLF CHRONICLES
WRITTEN & SCEENPLAYED BY:
RAFAEL SANDOVAL
(THIS SCRIPT HASN'T BEEN REVISED)
SECOND DRAFT
This is just an opening sequence from three other sequences I made. I wrote down this one for now because it was the mostly conventional at that time.
I was also thinking of a narrator to be on these scenes but right now it doesn't look convenient to me. 1.
SPACE - OUR SOLAR SYSTEM
AS WE MOVE BACK: The screen is showered with meteorites, big and small. Suddenly a PREDATOR ship comes aside us. The ship doesn't look as a regular one we've seen in previous films. This one looks smaller and has some different variations of design. After we get a plain view of the ship it moves in front of us.
WE STOP TO MOVE BACK.
WE TURN AROUND TO WERE THE SHIP MOVES. As the ship gives us its back a plump of flames appear from the engines. The ship then closes to a farther back distant star.
CUT TO: INT OF THE YAUTJA SHIP.
MOVING TO THE RIGHT, HEAR CLICKINGS AND SOUNDS: We pass by the alien condors of the ship's interior, covered in darkness. In the walls we get to see YAUTJA hieroglyphics. We finally reach to the condor's end were it connects to a big room.
WE STOP AT THE WEAPOND & ARMOR HALL.
The room is covered with all kinds of Predator weapons armors. In the middle we see this half naked Predator washed in darkness. He is getting these pointy weapons from an exotic table.
WE CLOSE UP TO THE TABLE.
The whist blades are attached to a magnetic holder that are lighten up (as well as the other weapons). Then the Predator arm stretches his arms and grabs the blades. When the blades are taken off from its magnetic holder its lights turn off.
WE MOVE TO THE PREDATOR
The Predator grabs the whist blades and steers at them for a few seconds. He then puts them on to his whist. Later, he turns up to the wall.
WE MOVE TO THE WALL
2.
The wall were the Predator turn is full of replacement weapons hanging on the walls. These weapons have a larger version of its original size. We get to see a small plasma caster, then a larger one and lastly an even larger one. We also see the same with the disks and whist blades. The predator grabs the largest version of the hanging blades that also have a magnetic holder but not a light.
WE TURN BACK TO THE PREDATOR
He connects his whist blades with the larger blades.
FASTLY: A quick view of the chest armor being put.
FASTLY: The leg armor being put.
FASTLY: View of the plasma caster's holder on the back of the Predator.
FASTLY: The helmet put on.
FASTLY: The huge blades coming out of the whist blades.
BLACK OUT
CUT TO: DARK CARJO ROOM
LOOKING UP TO THE ROOM'S ROOF: Lights turn slowly on.
WE MOVE DOWN.
We get a view of another Predator walking over the enormous hall giving this eco over us. On the left and right side we see huge clear glass cages with vary creatures inside them.
FOCUS ON THE PREDATOR WALKING.
The Predator clicks at his self destruct device on his whist.
FOCUS ON THE SELF DESTRUCT DEVICE.
We see the Predator click at the device.
TURN TO THE STOPING PREDATOR.
A holographic imagery projects from his whist device.
CLOSE UP TO: The holographic imagery projecting a small-dog like creature called KURN.
THE PREDATOR TURNS TO THE REAL INCAGE KURN AT HIS LEFT.
TURNS TO HIS DEVICE AGAIN.
His image clears and projects again another image of another exotic gorilla like huge creature called the GRO'TYE.
TURNS TO THE REAL CAGE GRO'TYE.
The Predator device turns off.
3.
WE MOVE AGAIN TO THE STANDING PREDATOR.
He looks around and then passes by towards us.
We turn to the Predator's back were his shoulder cannon is visible. He then reaches to a huge door. He stretches his arm a few inches to reach the code buttons and then clicks. A few YAUTJA letters appear vertically aside the buttons. Then, the Predator lowers his arm. After a few seconds the door doesn't open.
WE TURN TO THE PREDATOR FACE LOOKING UP.
The huge doors open automatically liberating this huge split of smoke. Then, the Predator walks to the room.
CUT TO: THE ALIEN JAIL.
LOOK AT THE PREDATOR FROM THE TOP.
The light the CARJO ROOM doesn't reach this room. When the whole Predator body is inside the ALIEN JAIL the doors slam close.
TURN TO THE PREDATOR LOOKING STRAIGHT AHEAD.
The Predator grabs his whist device so the holograph can appear again and it does.
CLOSE UP TO THE HOLOGRAPHIC IMAGE.
This time the device is projecting an image of a violently chained ALIEN QUEEN. The large xenomorphic creature seems to be sleeping.
THE SCENE IS THEN FOLLOWED BY A CLOSE UP.
The Predator eyes are looking at the holographic QUEEN. A colorful dim of red light paints the Predator's face.
BACK TO THE HOLOGRAPHIC QUEEN.
The QUEEN kind of moves her head and then rapidly her inner mouth strikes 3 dimensionally at the Predator.
BACK TO THE PREDATOR.
The Predator moves a surprisingly back from the REAL inner mouth of the Queen which is 5cm. to hit him. The inner mouth is aside of so we do not see the Queen. Apparently the Queen that the holographic device was projecting was a few inches from the real Queen.
STILL ON OUR PREVIOUS POSITION AS WE MOVE BACK.
The stunned Predator roars angrily at the surprise, and his red laser turns on pointing at the inner mouth. Then the laser roams at the huge ALIEN QUEEN HEAD that we get to see fully as we move back.
CUT TO: BACK IN SPACE.
The Predator ship appears from a corner and then flies to the blue, remote planet...EARTH!
END OF THE OPENING SEQUENCE.
