Quote from: Corporal Hicks on Jan 02, 2018, 12:30:52 AM
And it was O'Bannon who shoved that book in Ridley's face. But regardless of whether the origins of that approach was originally designed for Alien or not, it was still a Giger design and still contributed to the success and lasting impact of the film.
But as you know Giger wouldn't have got the gig if Scott hadn't pushed hard for him, 20th Century Fox didn't want to go anywhere near him. Scott made the decision for the surrealist to cover everything alien and Cobb, Foss, Mobius etc to build the human environments. It was also his attention to detail and passion to lift the project that got the budget doubled via his extensive storyboards, which interpreted Giger's creature. That was a deciding factor.
A film is a collaborative event of course, ALIEN is
the perfect storm of talent, but like a grand orchestral score what drives people to their best work and inspires then to up their game everyday is the guy who stands conducting. O'Bannon was denied access to rushes but sneaked in anyway, what he saw inspired him to greater involvement, much to Giler and Hill's chagrin.
You can look at many of the major talents who worked on ALIEN, and the work they did post ALIEN, but they never shone like they did through Ridley's orchestration.
However I freely admit I am more of a Scott fan than an Alien franchise fan. IMHO Scott's had way more hits than the Alien franchise has, and I prefer the diversity of subject matter. I think Scott's tone and viewpoint has been largely consistent since The Duellists, and I've always liked that grandiose but slightly sombre tone that he conveys in much of his work. I'm not a fan of every Scott film, I think he's had his duffers, and there are a few I've never seen, but he is a favourite director and it his style and choices I tend to enjoy.